% This file prints Bach BWV 830, movement 5. Gavotta \version "2.10.33" \header { title = "Keyboard partita in E minor" composer = "Johann Sebastian Bach" opus = "BWV 830" mutopiacomposer = "BachJS" mutopiainstrument = "piano" source = "Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894)" sourceurl = "http://imslp.org/wiki/Notebook_for_Anna_Magdalena_Bach_(Bach,_Johann_Sebastian)" sourceurltwo = "http://world.std.com/~swmcd/steven/music/bach/Bach-AnnaMagdalena1725.pdf" style = "Baroque" copyright = "Public Domain" maintainer = "Steven McDougall" maintainerEmail = "swmcd@world.std.com" maintainerWeb = "http://world.std.com/~swmcd/steven/" } \include "english.ly" upper = \relative c'' { \clef treble \key e \minor \time 2/2 \repeat volta 2 { \partial 2 e16[ fs g8] b,8.[ g'16] | a,8. g'16 fs4 c16[ b a8] fs'8.[ a,16] | % 1 \set tupletSpannerDuration = #(ly:make-moment 1 4) g8. b16 e,4 ~ \times 2/3 { e8[ ds e] a8[ g fs] } | % 2 \override TupletNumber #'transparent = ##t \times 2/3 { e 8[ ds e] b'[ g fs] e[ ds! e] c'[ g fs] } | % 3 \times 2/3 { e 8[ ds e] fs[ g a ] g[ fs g] a [ b c ] } | % 4 \times 2/3 { b 8[ a b] c [ d e ] d[ c d ] e [ fs g] } | % 5 \times 2/3 { fs8[ g a] } d,4 ~ \times 2/3 { d8[ c d] g[ fs e] } | % 6 \times 2/3 { e 8[ d c] c [ b a ] a[ g fs] fs[ e d ] } | % 7 \times 2/3 { d 8[ c b] b [ a g ] } g8.[ g'16] fs8.[ g16] | % 8 a,8.[ g'16] fs8.[ g16] b,8.[ g'16] fs8.[ g16] | % 9 c,8.[ g'16] fs8.[ g16] \times 2/3 { d8[ e fs] fs[ g a] } | % 10 \times 2/3 { a 8[ b c] d[ c b] a[ b g] d[ g fs] } | % 11 } \alternative { { g2 } { g2 % 12 } } \repeat volta 2 { \partial 2 b16[ c d8] g,8. e'16 | a8.[ cs,16] d4 cs!16[ b a8] g'8.[ e16] | % 13 fs8.[ a16] d,4 ~ \times 2/3 { d8[ g d] b[ g fs] } | % 14 \times 2/3 { g[ b d] f[ e d] e[ a e] cs[ a gs] } | % 15 \times 2/3 { a8[ cs e] g[ fs e] fs[ b fs] ds[ b as] } | % 16 \times 2/3 { b8[ ds fs] a[ g fs] g[ fs e] d[ cs b] } | % 17 \times 2/3 { as8[ b cs] fs,[ gs as!] b[ as b] e[ d cs!] } | % 18 \times 2/3 { b8[ as b] fs'[ d cs] b[ as! b] g'[ d cs!] } | % 19 \times 2/3 { b8[ as b] b'[ a! g] g[ fs e] e[ d cs] } | % 20 \times 2/3 { cs8[ b as] as[ gs fs] fs[ e d] d[ cs b] } | % 21 b4 ~ b16[ a'! b c!] d[ c b8] f'8.[ a,16] | % 22 gs8.[ b16] d4 \times 2/3 { f,8[ e f] d'[ c b] } | % 23 \times 2/3 { e,8[ ds e] c'[ b a] ds,![ cs ds] c'![ b a] } | % 24 \times 2/3 { g8[ fs g] b[ ds e] a,[ gs a] g'![ fs e] } | % 25 \times 2/3 { ds8[ e fs] } b,4 e16[ fs g8] b,8.[ g'16] | % 26 a,8.[ g'16] fs4 d16[ c b8] f'8.[ g,16] | % 27 f'8.[ g,16] e'4 ~ e8.[ e16] ds8.[ e16] | % 28 fs,8.[ e'16] ds8.[ e16] g,8.[ e'16] ds!8.[ e16] | % 29 a,8.[ e'16] ds8.[ e 16] \times 2/3 { b8[ cs ds!] ds[ e fs] } | % 30 \times 2/3 { fs8[ g a] b[ a g] fs[ g e] b[ e ds] } | % 31 e2 % 32 } \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.ufermata" } } lower = { \clef bass \key e \minor \time 2/2 \repeat volta 2 { \partial 2 e4 g | c'4 ~ c'16 b a8 ds'4 b | % 1 e'4 ~ e'8. d'!16 c'8.[ e16] ds8.[ e16] | % 2 b8.[ e16] ds8.[ e16] a8.[ e16] ds!8.[ e16] | % 3 g8.[ e16] ds8.[ b16] e8.[ c'16] fs8.[ d'!16] | % 4 g8.[ e'16] a8.[ fs'16] b8.[ g'16] c'8.[ a'16] | % 5 d'4 ~ d'16[ c' b a] g[ a b8] e8.[ b16] | % 6 c8.[ b16] a4 fs16[ e d8] a8.[ c16] | % 7 \set tupletSpannerDuration = #(ly:make-moment 1 4) \override TupletNumber #'transparent = ##t b,8.[ a16] g4 \times 2/3 { e8[ fs g] b,[ a, g,] } | % 8 \times 2/3 { fs8[ g a] c[ b, a,] g[ a b] d[ c b,] } | % 9 \times 2/3 { a8[ b c'] e[ d c] } b,8.[ g16] a,8.[ fs16] | % 10 g,8.[ e16] fs,8.[ d16] e,8.[ c16] d,8.[ c16] | % 11 } \alternative { { \times 2/3 { b,8[ c d] } g,8. b,16 } { \times 2/3 { b,8[ d fs] g[ d b,] } % 12 } } \repeat volta 2 { \partial 2 g,4 g ~ | \times 2/3 { g8[ fs e] } fs8.[ b16] \times 2/3 { e8[ fs g] a[ b cs'] } | % 13 d'4 ~ d'16[ c'! b a] b8.[ d'16] g4 ~ | % 14 \times 2/3 { g8[ d b,] } g,8.[ b16] c'8.[ e'16] a4 ~ | % 15 \times 2/3 { a8[ e cs] } a,8.[ cs'16] d'8.[ fs'16] b4 ~ | % 16 \times 2/3 { b8[ fs ds] } b,8.[ ds'16] e'8.[ as16] b8.[ g16] | % 17 fs4 ~ \times 2/3 { fs8[ e fs] } g!8.[ b16] as8.[ b16] | % 18 fs8.[ b16] as8.[ b16] e8.[ b16] as!8.[ b16] | % 19 d8.[ b16] as8.[ b16] cs16[ d e8 ] b,8.[ g16] | % 20 as,8.[ g16] fs4 \times 2/3 { d8[ cs b,] } fs8.[ fs,16] | % 21 \times 2/3 { b,8[ d fs] a[ gs fs] gs[ a b] } d4 ~ | % 22 \times 2/3 { d8[ e f] b,[ c d] gs,[ a, b,] } e,8.[ gs16] | % 23 \times 2/3 { a8[ b c'] } g!8.[ c'16] fs8.[ c'16] ds8.[ b16] | % 24 e8.[ b16] d!8.[ b16] c8.[ a16] cs8.[ as16] | % 25 b4 ~ b16[ ds' e' fs'] \times 2/3 { g'8[ fs' e'] e'[ d' cs'] } | % 26 \times 2/3 { cs'8[ b a] a[ g fs] fs[ e d] d[ c! b,] } | % 27 \times 2/3 { b,8[ a, g,] g,[ a, b,] cs,[ e, g,] as,[ b, cs] } | % 28 \times 2/3 { c!8[ ds fs] a[ b c'] b[ a g] fs[ g e] } | % 29 \times 2/3 { c'8[ b a] g[ fs e] } ds8.[ b,16] fs8.[ b,16] | % 30 a8.[ b,16] g8.[ e16] \times 2/3 { a8[ b c'] b[ a b] } | % 31 \times 2/3 { e8[ g b] } e'4 % 32 } \override Staff.RehearsalMark #'direction = #-1 \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.dfermata" } } \score { \new PianoStaff << \new Staff = "upper" \upper \new Staff = "lower" \lower >> \layout { \context { \Score \remove "Mark_engraver" } \context { \Staff \consists "Mark_engraver" } } \header { piece = "5. Tempo di Gavotta" } \midi { } }