% This file prints Bach BWV 827, movement 4. Sarabande \version "2.10.33" \header { title = "Keyboard partita in A minor" composer = "Johann Sebastian Bach" opus = "BWV 827" mutopiacomposer = "BachJS" mutopiainstrument = "piano" source = "Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894)" sourceurl = "http://imslp.org/wiki/Notebook_for_Anna_Magdalena_Bach_(Bach,_Johann_Sebastian)" sourceurltwo = "http://world.std.com/~swmcd/steven/music/bach/Bach-AnnaMagdalena1725.pdf" style = "Baroque" copyright = "Public Domain" maintainer = "Steven McDougall" maintainerEmail = "swmcd@world.std.com" maintainerWeb = "http://world.std.com/~swmcd/steven/" } % Acknowledgments % % Wolfgang Suppan \include "english.ly" voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice) ttt = { \set tupletSpannerDuration = #(ly:make-moment 1 8) } upper = \relative c'' { \clef treble \key a \minor \time 3/4 \repeat volta 2 { \partial 8*3 << { a8 gs \prall a } \\ { r8 r4 } >> | << { e8[ \times 2/3 { f16 e d] } e8 e e e } \\ { r4 r8 c8 b c } >> | % 1 << { c'8 b r a gs a } \\ { a 8 gs r c, b c } >> | % 2 << { d'8 c r a gs a } \\ { a 8 a r c, b c } >> | % 3 << { f'8 e r e e e } \\ { a,8 gs r gs a b } >> | % 4 << { e8[ \times 2/3 { f16 e d] } e8[ \times 2/3 { g16 f e] } f8[ \times 2/3 { a16 g f] } } \\ { c2. ~ } >> | % 5 << { g'2. ~ } \\ { c,8[ \times 2/3 { d16 c b] } c8[ \times 2/3 { e16 d c] } g'8 bf, } >> | % 6 << { g'8[ \times 2/3 { g16 f e] } f8[ \times 2/3 { f16 e d] } e8[ \times 2/3 { e16 d c] } } \\ { a4 r8 b! c4 } >> | % 7 << { e 8 d r c' b c } \\ { c,8 b r e d e } >> | % 8 << { f8[ \times 2/3 { g16 f e] } f8[ \set tupletSpannerDuration = #(ly:make-moment 1 8) \times 2/3 { a16 g f] g[ f e] f[ e d] } } \\ { b4 r4 r4 } >> | % 9 << { e 8[ \times 2/3 { f16 e d] } e8 c' b c } \\ { c,4 r8 e d e } >> | % 10 << { d8[ \times 2/3 { f16 e d] g[ f e] f[ e d] e[ d c] d[ c b] } } \\ { b4 r8 a g f } >> | % 11 << { c'4. } \\ { e,4. } >> } \repeat volta 2 { << { r8 r4 } \\ { r8 r4 } >> | % 12 r4 r8 << { g'8 f e } \\ { \ttt \times 2/3 { e16[ d c] d[ c b] c[ b a] } } >> | % 13 << { d8[ fs] g r r4 } \\ { \times 2/3 { b,16[ a g] c[ b a] } b8 r r4 } >> | % 14 << { r4 r8 \ttt \times 2/3 { f'16[ e d] e[d cs] d[c b] } } \\ { r4 r8 a g f } >> | % 15 << { \times 2/3 { cs'16[ b a] d[ cs b] } cs8 r8 r4 } \\ { e , 8[ gs] a 8[ \times 2/3 { a16 b cs!] cs[ d e] e[ f g] } } >> | % 16 << { r4 r8 \times 2/3 { d16[ e f] f[ g a] a[ bf c] } } \\ { \times 2/3 { f,16[ e f] g[ f e] } f2 ~ } >> | % 17 << { \times 2/3 { bf16[ a bf] c[ bf a] } bf!8 \times 2/3 { c,16[ d e] e[ f g] g[ a bf!] } } \\ { f4 e2 ~ } >> % 18 << { \times 2/3 { a16[ g a] bf[ a g] } a8 d, e cs } \\ { e4 d8 f, g e } >> | % 19 << { d'4. f 8 f f } \\ { f,4. d'8 d d } >> | % 20 << { f4. f8 \times 2/3 { e16[ d e] f[ e d] } } \\ { d4. d8 c b } >> | % 21 << { e8[ d16 e] c8 a' gs a } \\ { c,4 r8 s8 s4 } >> | % 22 << { d8[ \times 2/3 { e16 d c] d[ c b] c[ b a] b[ a gs] a[ gs fs] } } \\ { s4. } >> | % 23 << { \times 2/3 { gs16[ a b] a[ gs fs] } e8 c' b c } \\ { s8 r8 r8 a gs! a } >> | % 24 << { d 8[ \times 2/3 { c16 d e] } d8[ \times 2/3 { b16 c d] c[ d e] d[ e f] } } \\ { b,4 r8 gs a b } >> | % 25 << { \times 2/3 { e 16[ d e] f[ e d] } e8 a gs a } \\ { gs,4 r8 e' d c } >> | % 26 << { d8[ \times 2/3 { f16 e d] e[ d c] d[ c b] c[ b a] b[ a gs] } } \\ { b4 r8 f e d } >> | % 27 << { a'4. } \\ { c,4. } >> % 28 } \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.ufermata" } } lower = { \clef bass \key a \minor \time 3/4 \repeat volta 2 { \partial 8*3 r8 r4 | r4 r8 a gs a | % 1 e8[ \times 2/3 { f16 e d] } e8 e, e, e, | % 2 e8[ \times 2/3 { f16 e d] } e8 e, e, e, | % 3 e8[ \times 2/3 { f16 e d] } e8 e' fs' gs' | % 4 a'8 a a a' a' a | % 5 e'8 e e e' e' e | % 6 f 8 e d g c' f | % 7 g 8 g, g, g g g, | % 8 g 8 g, g, g g g, | % 9 g 8 g, g, g g g, | % 10 f 8 d e c g g, | % 11 c 8 g, c, } \repeat volta 2 { c' b c' | % 12 g8[ \times 2/3 { a16 g fs] } g8 g, g, g, | % 13 g,4 r8 d' cs' d' | % 14 a8[ \times 2/3 { b16 a gs] } a8 a, a, a, | % 15 a,4 r8 a g a | % 16 d8[ \times 2/3 { e16 d cs] } d8 d' cs' d' | % 17 g8[ \times 2/3 { a16 g f ] } g8 c' bf c' | % 18 f8[ \times 2/3 { g16 f e ] } f8 bf g a | % 19 d8[ a, d,] \ttt \times 2/3 { a16[ g f] f[ e d] d[ c b,] } | % 20 \times 2/3 { b,16[ a, g,] g,[ a, b,] b,[ c d] d[ e f]} g8 g, | % 21 \times 2/3 { c16[ d e] e[ f g] g[ a g] } << { e'8 d' c' } \\ { c'8 b a } >> | % 22 << { b 8 a b e' d' c' } \\ { gs8 fs gs a f d } >> | % 23 << { b8 s8 s2 } \\ { e8 e, e, e e e, } >> | % 24 e8 e, e, e e e, | % 25 d8 d, d, c' b a | % 26 gs8 e c a, e e, | % 27 a,8 e a % 28 } \override Staff.RehearsalMark #'direction = #-1 \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.dfermata" } } \score { \new PianoStaff << \new Staff = upper \upper \new Staff = lower \lower >> \layout { \context { \Score \remove "Mark_engraver" } \context { \Staff \consists "Mark_engraver" } } \header { piece = "4. Sarabande" } \midi { } }