\version "2.10.25" \include "english.ly" \header { title = "Polonaise in F major" composer = "Johann Sebastian Bach" opus = "BWV Anh. 117b" mutopiacomposer = "BachJS" mutopiainstrument = "piano" source = "Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894)" sourceurl = "http://imslp.org/wiki/Notebook_for_Anna_Magdalena_Bach_(Bach,_Johann_Sebastian)" style = "Baroque" copyright = "Public Domain" maintainer = "Steven McDougall" maintainerEmail = "swmcd@world.std.com" maintainerWeb = "http://world.std.com/~swmcd/steven/" } upper = \relative c'' { \clef treble \key f \major \time 3/4 \repeat volta 2 { f8\mordent f16 g \appoggiatura g16 a8 g16 a bf a g f | % 1 g8 g16 a \appoggiatura g16 f8 e16 d e8\mordent c | % 2 \appoggiatura bf8 a4 % The source has a schleifer on the d4, % which LilyPond appears not to implement. % I pieced one together from a prall and a slur. \once \override Slur #'extra-offset = #'( 0.0 . -0.50 ) \grace { \hideNotes \stemDown a16^([ bf] \unHideNotes } \once \override Script #'extra-offset = #'( -3.50 . -2.70 ) d4) \prall c | % 3 bf8( \once \override Script #'padding = #1.0 c16\mordent d) \appoggiatura c16 bf8 a16 g a8\mordent f | % 4 a8( \once \override Script #'padding = #0.5 bf16\mordent c) d8 d16 e \appoggiatura d8 c4 | % 5 \appoggiatura c16 bf8( \once \override Script #'padding = #1 c16\mordent d) \appoggiatura c16 bf8 a16 g a8 f | % 6 f'8 f16 e d8 c bf a | % 7 g16 bf a g \appoggiatura g8 f2 | % 8 } \repeat volta 2 { a'8 a16 g a8 g16 a bf a g f | % 9 g8 g16 f g8 f16 g a g f e | % 10 a8 a16 g f8 e d\prall c | % 11 b16 c d b c4 bf | % 12 a8 c c\prall bf16 c \appoggiatura c8 d4 | % 13 g,8 bf bf a16 bf \appoggiatura bf8 c4 | % 14 f8 f16 e d8 c bf a | % 15 g16 bf a g \appoggiatura g8 f2 | % 16 } \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.ufermata" } } lower = \relative f { \clef bass \key f \major \time 3/4 \repeat volta 2 { f8 a c a f c' | % 1 e,8 c' d, b' c16 bf a g | % 2 f16 e d c bf f' e f a, f' e f | % 3 g,8 f' c e f,16 c' d e | % 4 f8 g16 a bf8 f a f | % 5 g8 f e c f16 g a bf | % 6 a8 f bf, c d bf | % 7 c8 c, f a16 c f4 | % 8 } \repeat volta 2 { f8 a c a f c' | % 9 e,8 g c g e c | % 10 f16 e f g a8 g f e | % 11 g8 g, c16 d e d c bf a g | % 12 f8 a c f bf, f' | % 13 e8 g e c bf e | % 14 a,8 f' bf, c d bf | % 15 c8 c, f a16 c f4 | % 16 } \override Staff.RehearsalMark #'direction = #-1 \override Score.RehearsalMark #'extra-offset = #'( -0.6 . 0.0 ) \mark \markup { \musicglyph #"scripts.dfermata" } } \score { \new PianoStaff << \new Staff = upper \upper \new Staff = lower \lower >> \layout { \context { \Score \remove "Mark_engraver" } \context { \Staff \consists "Mark_engraver" } } \midi { } }