The report reflected the damage and decay to all Stations, with some in very serious condition. This required a restoration effort.

Gianfranco Pocobene told us in his report that the Stations date from the nineteenth century. They were produced by a reproduction techinuqe using an oil type print that was printed into a brass metal support. While a number of churches might have had these produced for them, these are probably some of the few examples of this type in existence. Furthermore, the technology that produced the images died out some time ago. The expert opinion was that the Statoins are unique, historic objects that were created as an integral part of the church decoratoin. To quote Mr Pocobene, "As they are irreplaceable, every effort should be made to preserve them for the history of the Churcha nd its congregatoin."