Writing & Design

Resume
Sites
Technical Writing
Other Writing

Arts & Crafts

Quilting
Jewelry
Kumihimo
Blog

Other

Peggy Wilson
Send me mail

Home


Learning Curve
A "Baltimore" Album Quilt (which wasn't made anywhere near Baltimore...)

Fleur di Lis

I jokingly refer to my mother as "the Queen of Applique." She's very good and I've always loved the look of traditional applique, but could never do it myself.

When I was visiting my sister one Christmas, I bought Elly Sienkiewicz's book, "Baltimore Beauties and Beyond" so I could try and learn to applique. Unfortunately, I bought Book 2 and it made applique, especially Baltimore Album blocks, seem overwhelming. A year or so later, I found Book 1.

I was between projects, having just finished "Lost Cats Found", and I decided to take a stab at applique. I started with the first project in the book, a block called Fleur di Lis. I guess I didn't read vey well, I used red pencil to mark the pattern on the freezer paper, but some of it bled off (and can still be faintly seen.)

Worse than that, I didn't realize that I should try to match the thread being used to the fabric being appliqued. I used white because I used white for everything. Luckily, I had a very small, even, whipstitch. Even though you can see the white thread in the real project, you can't in the photograph.

My choice of fabric actually wasn't. I think it was the smallest piece of fabric that fit and wasn't already "committed to another project. Obviously, this was not going to be a traditional Baltimore Album quilt.

I was on the fence about including this block in the final quilt because I didn't like the white stitching, but when I decided to call the quilt "Learning Curve" I knew I had to include it.

Wreath of Strawberry 
           Leaves

Following the lessons in Elly S's book, I moved onto this wreath block, supposedly a Wreath of Strawberry Leaves. Once again, I used white thread, but the lesson was to learn "ladder stitch" which I found I really liked for applique.

Because I still wasn't committed to an entire quilt, I chose a "scrap" fabric. It wasn't until much, much later I realized both the first and second blocks were green.

My problem with this block was that I got bored. Once I mastered the ladder-stitch, each leaf-set was pretty much the same as the last. I put away the project for a couple of months, which, of course, turned into years...

When I resumed, I had to iron the freezer paper back onto the applique fabric. Ironing shrank the template in places so it refused to line up. I did a few more leave-sets and put it away again.

I think that even though I did one-and-a-half of these blocks, I REALLY learned to applique by making "My Heart is in The Work," a Dear Jane quilt. Each of those blocks were only 4-1/2" finished, as opposed to the 15-inch blocks in this album quilt so they finished up fast.

Eventually, after finishing "Heart..." I decided to try finishing this quilt, which meant finishing this block. I told myself I would do one leaf-set every day while watching TV until the block was finished.

It only took two years.

Star of Hearts

While working on the Dear Jane quilt, I decided I needed to join a "quilting community". Since I've never been a big joiner, I decided to simply join an on-line mailinglist instead of a regular quilting guild.

One of the techniques that was popular was "back basting." The account is somewhat garbled, but I believe Jeana Kimball popularized it.

The steps are easy:

  1. First, draw your pattern on the back of your block. Because you can't see it from the front, you can use a darker pencil than you ordinarily would if you were drawing the pattern on the fabric to be appliqued.
  2. Next place the fabric to be appliqued, face down on the light-box.
  3. Place the background fabric with the drawn pattern facing up (the "front side" of your appliqued-to fabric facing down), making sure that there is enough of a seam allowance around the fabric to be appliqued showing, (This is what makes a light-table so usedful.)
  4. Stitch the two fabrics together on the sewing line with a medium running stitch and a larger needle in a contrasting thread. (Contrast the fabric to the appliqued.)
  5. Needle-turn from the front using the running stitch as a turning guide.

Of course, this means I was no longer following the lessons in the BB&B1 book, so I just picked an applique block from the back, in this case, Star of Hearts, which would have been lesson 4. I also don't know why I picked red, since the other two blocks were green.

...to previous page...          ...to next page...
or click on specific block in the photo grid at the top to get you to a specific block