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Peggy Wilson
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Learning Curve
A "Baltimore" Album Quilt (which wasn't made anywhere
near Baltimore...)
I jokingly refer to my mother as "the Queen of
Applique." She's very good and I've always loved the look of
traditional applique, but could never do it myself.
When I was visiting my sister one Christmas, I bought Elly
Sienkiewicz's book, "Baltimore Beauties and Beyond"
so I could try and learn to applique. Unfortunately, I bought Book 2
and it made applique, especially Baltimore Album blocks, seem
overwhelming. A year or so later, I found Book 1.
I was between projects, having just finished "Lost Cats Found", and I decided to take
a stab at applique. I started with the first project in the book, a
block called Fleur di Lis. I guess I didn't read vey well, I
used red pencil to mark the pattern on the freezer paper, but some of
it bled off (and can still be faintly seen.)
Worse than that, I didn't realize that I should try to match the
thread being used to the fabric being appliqued. I used white
because I used white for everything. Luckily, I had a very small,
even, whipstitch. Even though you can see the white thread in the
real project, you can't in the photograph.
My choice of fabric actually wasn't. I think it was the smallest
piece of fabric that fit and wasn't already "committed to
another project. Obviously, this was not going to be a traditional
Baltimore Album quilt.
I was on the fence about including this block in the final quilt
because I didn't like the white stitching, but when I decided to call
the quilt "Learning Curve" I knew I had to include
it.
Following the lessons in Elly S's book, I moved
onto this wreath block, supposedly a Wreath of Strawberry
Leaves. Once again, I used white thread, but the lesson was
to learn "ladder stitch" which I found I really liked for
applique.
Because I still wasn't committed to an entire quilt, I chose a
"scrap" fabric. It wasn't until much, much later I realized
both the first and second blocks were green.
My problem with this block was that I got bored. Once I mastered the
ladder-stitch, each leaf-set was pretty much the same as the last. I
put away the project for a couple of months, which, of course,
turned into years...
When I resumed, I had to iron the freezer paper back onto the
applique fabric. Ironing shrank the template in places so it refused
to line up. I did a few more leave-sets and put it away again.
I think that even though I did one-and-a-half of these blocks, I
REALLY learned to applique by making
"My Heart is in The
Work," a Dear Jane quilt. Each of those blocks were only
4-1/2" finished, as opposed to the 15-inch blocks in this
album quilt so they finished up fast.
Eventually, after finishing "Heart..." I decided to try
finishing this quilt, which meant finishing this block. I told myself
I would do one leaf-set every day while watching TV until the block
was finished.
It only took two years.
While working on the Dear Jane quilt, I decided I
needed to join a "quilting community". Since I've never
been a big joiner, I decided to simply join an on-line mailinglist
instead of a regular quilting guild.
One of the techniques that was popular was "back basting."
The account is somewhat garbled, but I believe Jeana Kimball
popularized it.
The steps are easy:
- First, draw your pattern on the back of your block. Because you
can't see it from the front, you can use a darker pencil than you
ordinarily would if you were drawing the pattern on the fabric to
be appliqued.
- Next place the fabric to be appliqued, face down on the
light-box.
- Place the background fabric with the drawn pattern facing up
(the "front side" of your appliqued-to fabric facing
down), making sure that there is enough of a seam allowance around
the fabric to be appliqued showing, (This is what makes a
light-table so usedful.)
- Stitch the two fabrics together on the sewing line with a medium
running stitch and a larger needle in a contrasting thread.
(Contrast the fabric to the appliqued.)
- Needle-turn from the front using the running stitch as a turning
guide.
Of course, this means I was no longer following the lessons in the
BB&B1 book, so I just picked an applique block from the back, in
this case, Star of Hearts, which would have been lesson 4. I
also don't know why I picked red, since the other two blocks were
green.
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